Updated: Nov 16, 2021

Our November show is a truly special collection in that it highlights beloved Galerie d’Orsay artists while also presenting paintings from the collection of a prominent wealth management company that's asked us to help them place their works. This extraordinary collection features preeminent American Abstract Expressionist artists with star-studded museum credentials. Many of these artists were rubbing shoulders with Willem de Kooning, Jackson Pollock, Mark Rothko, Helen Frankenthaler, and Hans Hofmann. We are delighted to be offering our collectors works by these artists!

Abstract Expressionism developed in New York in the 1940s and was the first specifically American movement to achieve international influence and put NYC in the forefront of the western art world. The varied work produced by the Abstract Expressionists resists definition as a cohesive style though has an overt emphasis on color and medium and their incredible capacity, when wielded deftly, to express strong emotion.

View the full collection

Biala | Blue Venice (1995) | Oil on Canvas | 51 x 38"
Biala | Blue Venice (1995) | Oil on Canvas | 51 x 38"

Janice Biala (1903 – 2000)

One of the few women associated with the New York School, Biala was born in Poland, though lived and painted primarily in Paris and the U.S. She was first known as a representational artist though her later work was influenced by many Abstract Expressionist painters. Biala’s sublime assimilation of the School of Paris and the New York School of Abstract Expressionism highlights color abstraction and gestural simplicity in profound and beautiful ways.

  • Art Institute of Chicago, Chicago, IL

  • Carnegie Art Museum, Pittsburgh, PA

  • Musée National d'Arts Moderne, Centre Pompidou, Paris, France

  • Smithsonian American Art Museum, Washington, D.C.

  • Whitney Museum of American Art, New York, NY

Stanley Boxer

(1926 – 2000)

Endlessly innovative and with a profound sensitivity to texture, Boxer was a prolific artist across a number of different media. His paintings are abstract compositions notable for their texture and color, in which small gestures are multiplied to form a single entity—almost as if observing cells under a microscope where individual units coalesce into a whole. If there is to be any single, identifiable subject to Boxer’s decidedly abstract works, it is this coming-together of disparate colors, textures, and moods.

  • Museum of Fine Arts, Boston, MA

  • Solomon R. Guggenheim Museum, New York, NY

  • Metropolitan Museum of Art, New York, NY

  • Whitney Museum of American Art, New York, NY

  • Tate Gallery, London, England