Sculptor Richard Erdman & Spira
Vermont-based artist Richard Erdman has dedicated over 40 years to the intricate art of sculpting marble, a medium rich in history and demanding in its nature. His work explores the delicate balance between tradition and innovation, pushing the boundaries of what is possible with this ancient material. His stone sculptures often harbor a melodic quality, their dulcet curves flowing in seemingly weightless, elegant arcs and crests.
Sculptor Richard Erdman in his Vermont studio. Photo by Benjamin Flythe.
One such piece is Spira, a contemporary sculpture that demonstrates how wonder can be conjured at any scale. Carved from stone nearly 200 million years old, the piece connects us to Earth's primordial past. Its form, reminiscent of a Möbius strip, features sweeping, twisting curves that maintain a perpetual harmony. The interior spiral's edges approach the sculpture's outer ring but never touch, a subtle nod to the cosmic tensions that drive time and nature forward.
Richard Erdman, Spira, Carrara Marble, 20 x 13 x 10 inches
Spira's scale is a key part of its impact. While the sculpture is compelling at any size, it becomes truly monumental at a height of 100 inches. One of these larger versions is sited on water at the Enea Tree Museum in Rapperswil-Jona, Switzerland, where it stands as a testament to the power of artistic expression.
Erdman’s sculptures, displayed in over 100 galleries and museums worldwide, are a testament to his ability to blend artistic creativity with a deep understanding of his craft. His work challenges the conventional view of sculpting, showing that the pursuit of artistic excellence can involve a dialogue between the artist’s hands and their tools. He proves that art must evolve to remain relevant and that by embracing new technologies, artists can transcend physical limitations and expand the possibilities of sculpture.
Spira, Italian bardiglio marble, 100 x 75 x 62 inches, Enea Tree Museum, Rapperswil-Jona, Switzerland
Photo courtesy of Richard Erdman
