Gerhard Richter was born in 1932 in Dresden, Germany. Between 1952 and 1957, he studied art at the Kunstakademie, Dresden. The artist then moved to Düsseldorf, where he worked as a photo- laboratory technician. From 1961 to 1964, Richter studied at the Staatliche Kunstakademie Düsseldorf under Karl Otto Götz.

 

Richter’s first solo show was held at the Möbelhaus Berges, Düsseldorf, in 1963. Here the artist introduced his photo-painting style, in which he employed his own photographs of landscapes, portraits, and still lifes as a basis for his paintings. The artist blurred the depicted subjects or objects, deviating from traditional figurative painting in order to distinguish painting from photography. In 1967, Richter won the Junger Westen art prize from the city of Recklinghausen, Germany. It was at this time that the artist began his “Constructive” phase, which included the Color Charts, Inpaintings, Gray Paintings, and Forty-eight Portraits, as well as his work with mirrors. In 1972, Richter’s work was chosen to represent Germany at the Venice Biennale.

 

That same year, he participated in Documenta 5 in Kassel, where he showed again in 1977, 1982, 1987, 1992, and 1997. The artist gained recognition in the United States in 1973 with a show at the Reinhard Onnasch Gallery in New York. In 1976, his first retrospective took place at the Kunsthalle Bremen and covered works from 1962 to 1974. Richter had a major exhibition in 1978 at the Stedelijk Van Abbemuseum, Eindhoven, entitled Abstract Paintings, which traveled to the Whitechapel Art Gallery, London, in 1979. Ever since, Richter has simultaneously produced abstract and photorealistic painted works, as well as photographs and glass pieces, thus undermining the concept of the artist’s obligation to maintain a single cohesive style.